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lunes, 11 de julio de 2011

#1 EN TOP TEN DE REVERSE SHOT 2010

" (...) Of course, rules are rules, and, despite our increased disillusionment with the film community and the changing landscape of filmgoing, we continue to do this top ten as we have in recent years—polling our major contributors from 2010 to determine only the best films that were released only in the United States in the past twelve months (in other words, those films that moviegoers had a chance of seeing theatrically.) The highest ranked film received the most votes, and so on.

1. Alamar
How did Pedro González-Rubio’s devoutly modest film end up at the top of Reverse Shot’s best-of-2010 list? There are many other films in this lineup that are more ambitious, more formally daring or complex, more incisive, more passing strange, more masterful than this charmingly slight tale of father-son bonding set against the admittedly spectacular landscape of Mexico’s Chinchorro coral reef. But level of achievement is only one factor in such an endeavor. What Alamar is—in its lovely casualness, its guileless blurring of documentary and fiction, the unforced enviro-political resonance of its return-to-the-land (rather to the sea) chronicle—is certainly laudable; what it represents is something greater. (...)"



Para leer la nota completa:  http://www.reverseshot.com/article/reverse_shots_best_2010

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